Skip to main content

Review: 'The Band' at the Lyceum Theatre, Sheffield

Full of charm, wit and heartwrenching emotion, the Take That musical is simply divine.

The musical follows the lives of a group of 16-year-old schoolgirls who have bonded over their adoration for 'the band'. The girls’ dream becomes reality when they have the opportunity to see the boy band live but tragedy strikes and their friendship breaks apart. 25 years on, a competition win could rekindle the girls once more.

Featuring all the Take That classics from ‘Never Forget’ to ‘Rule the World’, this is a musical no 90s fan can miss.

The Band musical
www.thebandmusical.com
'The Band' are made up of the five winners from BBC One's Let It Shine AJ Bentley, Nick Carsberg, Curtis T Johns, Yazdan Qafouri and Sario Solomon who make up pop group Five to Five. The sublime quintet is on stage for the majority of the production, touchingly representing the fact that, deep down, the boys are there wherever the girls go. Each performer offers vocals just as strong as the other and, combined with their excellent dance skills and sincere acting, Five to Five truly do strive as a group.

The four leading ladies are Rachel Lumberg [Rachel], Emily Joyce [Heather], Alison Fitzjohn [Claire] and Jayne McKenna [Zoe], who all bring their own fun-loving eccentricity to each of the roles. Lumberg’s portrayal of Rachel as an honest and faithful individual enhances the credibility of this narrative, as the audience learns more of the character’s strength against her difficulties.

Playing the younger versions of each of the women are Faye Christall, Katy Clayton, Sarah Kate Howarth and Lauren Jacobs who do well as a group to establish each of their characters as people the audience cannot help but care about. Rachelle Diedericks performs particularly well as the happy-go-lucky Debbie.

The staging of The Band is exceptionally slick; the frequent and substantial set changes are consistently seamless through the production. The immersive lighting strengthens the audience’s reception to these four women’s lives and to the band that they admire.

Nostalgia and friendship are the key themes in this musical, making for an immensely relatable showing. As it turns out, boy bands wearing double denim and fan girls playing on statues form outstanding theatre. The Band concluded to rapturous applause and a standing ovation on opening night, and it is easy to see why.

The Band plays at the Lyceum until 14/10/2017.




Review based on production on Wednesday 4th October 2017.

Comments

Popular posts from this blog

Interview with ‘Sick’ scriptwriter and performer Shey Hargreaves

From hunting down a patient’s lost teeth to witnessing someone turn down potentially life-saving treatment, scriptwriter Shey Hargeaves’ experience of working for the NHS was eye-opening to say the least. Reflecting on her time in a hospital, Shey shares tales of resilience and humour in her hour-long show Sick . “It’s scary!” Shey exclaims as I ask what it has been like leading a one-woman show for the first time. “You're totally on your own out there. But, it's quite nice because you're in control. That means you can play off the audience more. I think that makes for quite a warm, responsive kind of show.” The stories behind Sick are authentic accounts from the four-year period Shey spent within the NHS. Having completed a Master’s in Scriptwriting at the University of East Anglia, Shey was looking to find work when she came across a receptionist position for an Emergency Medical Assessment Unit in 2013. “If I had to be in a reasonably low-paid job and pay t

'Gaslight' review- Lyceum Theatre, Sheffield

From the moment the lights come on, it is clear that something is not right in the Manningham household. Set in Victorian Britain, the 1938 Patrick Hamilton play is where the term ‘gaslighting’ originates from- and it does not take long to work out why. Domineering Jack Manningham [Rupert Young] has psychologically manipulated his wife Bella [Kara Tointon] into doubting her sanity, in order to achieve his own aims. When a peculiar retired police officer [Keith Allen] with an acute interest in the life of the Manninghams unexpectedly arrives, this thrilling play truly commences. While the play begins quite slowly, a sudden twist reveals why the time for heavy character development was necessary. Kara Tointon portrays the maddened Bella with credibility and precision.  Her chilling, stilted stage speech contrasts perfectly with the arrogance of Young's patriarchal Jack. That said, for a character of such turbulence in the play, Young’s portrayal of Jack is understated in the first