I wonder if writer Richard O’Brien expected The Rocky Horror Show to enthral audiences
of hundreds more than 45 years after it debuted at the tiny Royal Court in
London. Exploring themes of gender identity and sexuality in a tribute to mid-20th
century science fiction, O’Brien’s outrageous and energetic Rocky Horror Show is an immense amount
of fun.
The show follows the eye-opening encounters of newly engaged
couple Brad and Janet, who unintentionally become the guests of a death-defying
extravaganza one stormy night.
Stephen Webb marvels as scientist Frank-N-Furter, commanding
the stage of the tour’s remarkable cast throughout his confident portrayal of
the wild Transylvanian transvestite. Philip Franks excels as The Narrator,
modernising the 1973 musical with a remark on Brexit proceedings and responding
with sharp wit to engagement from the audience, and former Strictly Come Dancing professional Joanne Clifton puts on an
equally compelling performance as Janet. Clifton’s melodramatic expressions compliment
the façade of confidence conveyed in A1 star Ben Adams’ portrayal of Brad, with
the pair working well together as the show’s naïve lovers.
Despite the unruly proceedings of The Rocky
Horror Show, the production behind it is consistently slick. Choreography
from Nathan M Wright is purposeful and polished, and flamboyant costume design
by Sue Blane aids the dramatics of this outlandish show.
Set designs from Hugh Durrant likewise serve to emphasise
the absurdity of the unfolding events inside the scientist’s mansion, and immersive,
colourful lighting by designer Nick Richings supports the electric atmosphere
that fills the Lyceum throughout the show. Many of the team behind the show
have been working on it for years and ensure that the show still captivates its
audiences.
As the production concludes to 1,000 people up on their feet for a reprise of
the Time Warp, it is clear that The Rocky Horror Show remains a production
quite literally in a realm of its own.
5 stars
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