From hunting down a patient’s lost teeth to witnessing someone turn down potentially life-saving treatment, scriptwriter Shey Hargeaves’ experience of working for the NHS was eye-opening to say the least. Reflecting on her time in a hospital, Shey shares tales of resilience and humour in her hour-long show Sick . “It’s scary!” Shey exclaims as I ask what it has been like leading a one-woman show for the first time. “You're totally on your own out there. But, it's quite nice because you're in control. That means you can play off the audience more. I think that makes for quite a warm, responsive kind of show.” The stories behind Sick are authentic accounts from the four-year period Shey spent within the NHS. Having completed a Master’s in Scriptwriting at the University of East Anglia, Shey was looking to find work when she came across a receptionist position for an Emergency Medical Assessment Unit in 2013. “If I had to be in a reasonably low-paid job and pay t
I wonder if writer Richard O’Brien expected The Rocky Horror Show to enthral audiences of hundreds more than 45 years after it debuted at the tiny Royal Court in London. Exploring themes of gender identity and sexuality in a tribute to mid-20 th century science fiction, O’Brien’s outrageous and energetic Rocky Horror Show is an immense amount of fun. The show follows the eye-opening encounters of newly engaged couple Brad and Janet, who unintentionally become the guests of a death-defying extravaganza one stormy night. Stephen Webb marvels as scientist Frank-N-Furter, commanding the stage of the tour’s remarkable cast throughout his confident portrayal of the wild Transylvanian transvestite. Philip Franks excels as The Narrator, modernising the 1973 musical with a remark on Brexit proceedings and responding with sharp wit to engagement from the audience, and former Strictly Come Dancing professional Joanne Clifton puts on an equally compelling performance as Janet. Clifton’s